Julius Harrison
Julius Harrison |
Born |
March 26, 1885(1885-03-26)
Bewdley, England |
Died |
April 5, 1963(1963-04-05) (aged 78)
Harpenden, England |
Nationality |
British |
Occupation |
composer, conductor, arranger |
Known for |
classical music |
Julius Allan Greenway Harrison (26 March 1885 – 5 April 1963) was an English composer who was best known as a conductor of operatic works.[1]
Life and career
Harrison was born in Stourport in Worcestershire, England, and was educated at a Dame School in Stourport and Queen Elizabeth's Grammar School, Hartlebury.[2] Aged only 16, Harrison was appointed organist and choirmaster at Areley Kings Church, and at Hartlebury Church at the age of 21. When he was 17 he directed the Worcester Musical Society in a performance of his own Ballade for Strings.[2] He gained two Firsts in music in Cambridge local examinations and studied under Sir Granville Bantock at the Birmingham and Midland Institute of Music where he specialised in conducting.[1][2]
He worked with several orchestras including Sir Thomas Beecham's Opera Company at Drury Lane, the British National Opera Company, and the Hastings Municipal Orchestra where he had been Director of Music to the Hastings Corporation from 1930 to 1940. He also conducted the Handel Society and the Scottish Orchestra. Shortly after the start of World War II, the Hastings orchestra was disbanded and Harrison returned to Worcestershire where he became Director of Music at Malvern College[3] in Great Malvern and following the onset of deafness, he began to concentrate on composition.[1]
Harrison was director of the early Elgar Festivals held in Malvern, and he was a founder member and vice-president of the Elgar Society.[2] He also spent time as Professor of Composition at the Royal Academy of Music.[2]
His greatest works are the Mass in C minor which took him eleven years to complete, and the Requiem. These compositions were influenced by Wagner and Verdi.[1][4]
Harrison died in 1963, aged 78, in Harpenden in Hertfordshire where he settled after leaving Malvern towards the end of the 1940s.
Selected works
- Autumn Days
- CA Fantasy of Flowers
- I Love the Jocund Dance
- In Celia's Face
- Pastoral
- Rapunzel (1917)
- Rhapsody
- Rosalys
- Song of the Plough
- Spring in the Air
- The Canterbury Pilgrims (unfinished opera)
- The Rival Fourth Fingers
- The Wanderer's Song
- Variations on Down Among the Dead Men
- Orchestral
- Ballade for string orchestra (1902)
- Prelude Music for string orchestra and piano (or harp), Op.16 (1912); original for harp and string quartet
- Widdicombe Fair, Humoreske for string orchestra, Op.22 (1916); original for string quartet
- Worcestershire Suite (1918); original for piano
- Romance, a Song of Adoration for orchestra (1930)
- Cornish Holiday Sketches for string orchestra (1935)
- Autumn Landscape for string orchestra (1937); premiered by the BBC Symphony Orchestra in February 1937
- Troubadour Suite for string orchestra, harp (or piano) and optional horns (1944)
-
- The King of Navarre's Chanson
- The Marriage of Yolande
- Song of Spring
- Dancing Song
- Concertante
- Bredon Hill, Rhapsody for violin and orchestra (1941)
- Chamber music
- Prelude Music, Quintet in G♭ major for harp and string quartet, Op.16 (1912); also for string orchestra and piano (or harp)
- Scaramouche for violin and piano (1915)
- Pensée fugitive for violin and piano (1915)
- Widdicombe Fair, Humoreske for string quartet, Op.22 (1916); also for string orchestra
- Fanfare for a Masked Ball for 4 trumpets (1921)
- Sonata in C minor for viola and piano (1945)
- String Quartet
- Organ
- Paean and Tonus Peregrinus: Homage to Cesar Franck
- Piano
- Rhapsody, Intermezzo and Capriccio (1903)
- Barcarolle (1917)
- Worcestershire Suite (1918); also orchestrated
-
- The Shrawley Round
- Redstone Rock
- Pershore Plums
- The Ledbury Parson
- The Pixie Man, Suite (1920)
- Silver Bells and Cockle Shells (1920)
- Severn Country, Suite (1928)
-
- Dance in the Cherry Orchard (Ribbesford)
- Twilight on the River (Bewdley)
- Far Forest
- Town and Country (1948)
- Wayside Fancies, Suite (1948)
-
- March Humoresque
- An Old Legend
- Columbine's Waltz
- Summer Breeze
- The Jolly Huntsman
- Mr. Alberti Takes a Stroll (1952)
- Outdoor Song: At the fair (1952)
- Musette
- Vocal
- Six Short Songs for medium voice and piano (1907)
- Bonny Blue-cap for medium voice and piano (1908); words by Sir Walter Scott
- Songs of Fancy, 4 Songs (1913); words by P. Ashbrooke
-
- Little Untrodden Paths
- Oh, Little Mist from the Sea
- Silent Trees
- At Daybreak
- Four Songs of Chivalry for voice and piano (1915); words by William Morris
-
- Sir Giles' War Song
- Guendolen
- The Eve of Crecy
- The Gilliflower of Gold
- Three Eastern Love Songs for voice and piano (1915); words by Edward Teschemacher
-
- You Bring Me Pearls
- O Jewel of the Deep Blue Sea
- Caravan of Love
- Four Narratives from the Ancient Chinese for medium voice and piano (1917)
-
- The Soldier
- The Last Revel
- There Was a King of Liang
- The Recruiting Sergeant
- Three Sonnets from Boccaccio for high voice and piano (1919); words by Giovanni Boccaccio
- On the Beach at Otahai (1920); words by E. J. Brady
- Three Songs (1921–1927)
-
- Merciless Beauty; words by Geoffrey Chaucer
- The Escape from Love; words by Geoffrey Chaucer
- A Lament; words by Sir Thomas Wyatt
-
- Boot, Saddle, To Horse and Away
- King Charles
- Marching Along
-
- Come Away Death
- Jolly Robin
- O Mistress Mine
- Clown's Song
- Choral
- Cleopatra, Dramatic Poem (Cantata) for soli (soprano, mezzo-soprano, contralto, tenor), chorus and orchestra (1908); performed at the Norwich Festival in 1908
- Harvest Cantata for soprano (or tenor) and contralto (or baritone) soli, chorus and piano or organ (1910); words by Rose Dafforne Betjemann
- Christmas Cantata for soli and chorus (1911); words by Rose Dafforne Betjemann
- Viking Song, Part-song for male chorus and pianoforte or orchestra (1911); words by Fred Adlington
- Open Thy Gates, Introit Anthem for mixed chorus (with organ ad libitum) (1913); words by Robert Herrick
- Prevent Us, O Lord, Anthem for mixed chorus and organ (1914)
- Blows the Wind To-day for mixed chorus a cappella (1915); words by Robert Louis Stevenson
- In the Forest for mixed chorus a cappella (1913); words by Heinrich Heine; translation by Francis Hueffer
- Easter Carol for female chorus and piano (1921); words by Frederick Elliott
- The Little Men for female chorus (1921); words by William Allingham
- The Blessed Damozel for female chorus a cappella (1928); words by Dante Gabriel Rossetti
- A Sunny Shaft, Part Song for female chorus and piano (1929); words by Samuel Taylor Coleridge
- Merry Miller, Folk-jingle for mixed chorus a cappella (1932); words by Helen Taylor
- Magnifcat and Nunc dimittis for unison voices and organ (1941)
- The Wild Huntsman, Fantasia for male chorus a cappella (1946)
- The Dark Forest, Part-song for mixed chorus a cappella (1947); words by Edward Thomas
- Mass in C for solo voices, chorus, organ and orchestra (1936–1947); premiered at Stoke-on-Trent in 1948; twice broadcast in 1952 and 1955
- Missa liturgica for mixed chorus a cappella (1950)
- Psalm C (Psalm 100) for mixed chorus and organ (1953)
- Requiem Mass for soprano, alto, tenor and bass soli, mixed chorus and orchestra (1948–1957); first performed in 1957 at the Worcester Three Choirs Festival
- Requiem for Archangels
- Arrangements
Harrison's many arrangements include versions of Weber’s Invitation to the Dance, sundry Schubert songs (entitled Winter and Spring) and a "concert version" of Smetana’s The Bartered Bride all for mixed chorus.[4]
Discography
- Julius Harrison Orchestral Music; Hubert Clifford Serenade for Strings; Dutton Epoch CDLX7174 (2006)
Matthew Trussler (violin); Andrew Knight (harp); BBC Concert Orchestra conducted by Barry Wordsworth
-
- Worcestershire Suite for orchestra (1918)
- Bredon Hill, Rhapsody for violin and orchestra (1941)
- Troubadour Suite for orchestra (1944)
- Romance, a Song of Adoration for orchestra (1930)
- Prelude-Music for harp and string orchestra (1912)
- Widdicombe Fair, Humoresque for string orchestra (1916)
- Hubert Clifford – Serenade for Strings (1943)
-
- Samuel Coleridge-Taylor – Legend (Conzertstück), Op.14 (1897); Romance of the Prairie Lilies, Op.39; Violin Concerto in G minor, Op.80 (1912)
- Julius Harrison – Bredon Hill, Rhapsody for violin and orchestra (1941)
- Viola Sonatas: Edgar Bainton and Julius Harrison (World Premiere Recordings); 3 Pieces by Frank Bridge; British Music Society BMSCD415R (2008)
Martin Outram (viola); Michael Jones (piano)
-
- Edgar Bainton – Viola Sonata (1922)
- Julius Harrison – Viola Sonata in C minor (1945)
- Frank Bridge – Pensiero (1905); Allegro Appassionato (1908); Allegretto (1905?)
References
Further reading
- Rubbra, Edmund (1950) Julius Harrison's Mass Oxford University Press.
- Self, Geoffrey (1993) Julius Harrison: And the Importunate Muse, Scolar press, ISBN 0859679292
Persondata |
Name |
Harrison, Julius |
Alternative names |
|
Short description |
English composer |
Date of birth |
March 26, 1885 |
Place of birth |
Stourport, England |
Date of death |
April 5, 1963 |
Place of death |
Harpenden |